DOBERMANN



Dobermann is a creative studio based in London working between film, stills and interactive media. Founded by Thomas Harrington Rawle, Cathal Mckeon and Lars Andersen.  




(selected work)
DAISY MAYBE - BOX WITH GOD - direction / editing / vfx / grade
FREEKA TET X VTSS -LIVE AV TOUR 2026 - live visuals
JERSKIN FENDRIX - TOGETHER AGAIN - vfx
SORRY - LIVE AV SHOW - live visuals
SORRY - COSPLAY - album creative direction
BOYWORLD EFFIGY - vfx
SKRILLEX - FINE DAY ANTHEM - single artwork
BJARKI - LOOK AT YOURSELF AV SHOW - direction / cgi / edit
BJARKI - SURVIVAL CERMEMONY AV SHOW - direction / cgi / edit 
BJARKI - LOOK AT YOURSELF - album creative direction 
COURTING - GUITAR MUSIC - album creative direction 
WORLD PEACE DMT - LOVE YOURSELF - additional vfx
ALEX WILCOX - FUCK THAT - direction / editing / vfx / grade
IMOGEN HEAP - I AM - cgi / vfx
HAAi - HUMANiSE - album creative direction
SORRY - ECHOES - editing / grade
NOAH CYRUS - COLBERT SHOW PERFORMANCE - live visuals
NOAH CYRUS - I SAW THE MOUNTAINS - vfx
COPPAFEEL - WHATEVERYOUFEEL - editing / vfx
SUN MOON RISING - vfx
BEYOND NOISE - cgi / grade
SORRY - JETPLANE - editing / vfx
HARD LIFE - CRICKETS - vfx
ALEXANDER MCQUEEN - SS25 - cgi / vfx / sound design
SORRY - WAXWING - editing / vfx / grade
PETER XAN - EMPTY SPACE - direction / editing / grade
MUI ZYU - LIVE - live visuals
ISAMAYA BEAUTY - socials editing / grade / sound design
FRED AGAIN - LA COLLISEUM - live visuals
MASTERPIECE MOMMY - vfx
MICHAEL KORS - FW24 - cgi
ALEX WILCOX - BANG BANG BANG! - direction / editing / grade
ISAMAYA FFRENCH - LOVE LOST - editing / vfx
HINAKO OMORI - CYANOTYPE MEMORIES - direction / editing / vfx / grade
VERA WANG - PRINCESS - cgi / editing
DIOR SURF - editing / sound design
DIESEL x DAZED - editing / vfx
MONCLER x THE FACE - cgi
THE BLESSED MADONNA
MUI ZYU - ROTTEN BUN - cgi / editing
TIGA - L’ECSTASY - album film
THE ORDINARY/HEVEN 
JOANNA - DISSAPEAR - editing / vfx
LUCY MCWILLIAMS - PLASTIC - vfx
PHARRELL WILLIAMS & BEATS - cgi/vfx
BEATS BERLIN - cgi/vfx
BIIG PIIG - THIS IS WHAT THEY MEANT - vfx
SORRY - CLOSER - vfx
SORRY - KEY TO THE CITY - editing / vfx
BRUX - TAKE feat. KIMBRA - cgi / editing / grade
IKEA - TINY HOMES - AR Filter 





︎︎
Mark

4. Loren Eiseley





LE / 1957
From The Immense Journey

            A billion years have gone into the making of that eye; the water and the salt and the vapors of the sun have built it; things that squirmed in the tide silts have devised it. Light-year beyond light-year, deep beyond deep, the mind may rove by means of it, hanging above the bottomless and surveying impartially the state of matter in the white-dwarf suns.




Yet whenever I see a frog’s eye low in the water warily ogling the shoreward landscape, I always think inconsequentially of those twiddling mechanical eyes that mankind manipulates nightly from a thousand observatories. Someday, with a telescopic lens an acre in extent, we are going to see something not to out liking, some looming shape outside there across the great pond of space.
            Whenever I catch a frog’s eye I am aware of this, but I do not find it depressing. I stand quite still and try hard not to move or lift a hand since it would only frighten him. And standing thus it finally comes to me that this is the most enormous extension of vision of which life is capable: the projection of itself into other lives. This is the lonely magnificent power of humanity. It is, far more than any spatial adventure, the supreme epitome of the reaching out.
Mark